Asian American theatre artists by the score (almost!) in Seattle get their due from the Gypsy Awards, recognition in theatre excellence from Seattle’s reviewers and critics (Really. Had to take off both my shoes to count). Ranging from small theatres to big, from institutions to designers to writers to actors to directors, these nominations are concrete evidence of the influence of Seattle Asian American theatre artists.
The nominees (with winners to be announced January 27) include:
Excellence in Production of a Play (Small theatre):
A Hand of Talons, Pork Filled Productions
Caught, Seattle Public Theatre
Excellence in Direction of a Play (Large theatre):
Desdemona Chiang – A Tale For The Time Being (Book-It Repertory Theatre)
Excellence in Performance in a Play as a Lead Actor (Female): (Large Theaters):
Mi Kang – A Tale For The TIme Being (Book-It Repertory Theatre)
Excellence in Performance in a Play as a Lead Actor (Female): (Small Theaters):
Stephanie Kim-Bryan – A Hand of Talons (Pork Filled Productions)
Excellence in Performance in a Musical as a Lead Actor (Female):
Diana Huey – Disney’s The Little Mermaid (The 5th Avenue Theatre)
Excellence in Performance of a Play as a Supporting Actor (Male) – any non-lead:
Ray Tagavilla – The Last Days of Judas Iscariot (Sound Theatre Company)
Excellence in Performance of a Play as a Supporting Actor (Female):
Keiko Green – Caught (Seattle Public Theater)
Rachel Guyer Mafune – Puny Humans (Annex Theatre)
Excellence in Performance of a Musical as a Supporting Actor (Female) – any non-lead:
Sara Porkalob – Pump Boys and Dinettes (Village Theatre)
Excellence in Performance as an Ensemble (Large theatre)
A Tale For The Time Being – Book-It Repertory Theatre (Khanh Doan, Mi Kang, Mariko Kita, Scott Koh, Kevin Lin, Michael Patten, Rachel Rene, Annie Yim)
Excellence in Set Design: (Small theatre)
Brandon Estrella – A Hand of Talons (Pork Filled Productions)
Excellence in Costume Design: (Small theatre)
Jocelyne Fowler – A Hand of Talons (Pork Filled Productions)
Excellence in Lighting Design: (Large theatre)
Reed Nakayama – The Birds (Strawberry Theatre Workshop)
Excellence in Lighting Design: (Small theatre)
Tess Malone – A Hand of Talons (Pork Filled Productions)
Excellence in Musical Direction:
R.J. Tancioco – Violet (ArtsWest)
Excellence in Local Playwriting:
Maggie Lee – A Hand of Talons (Pork Filled Productions)
Seayoung Yim – Do It For Umma (Annex Theatre)
Laura Ferri – A Tale for the Time Being (Book-It Repertory Theatre)
Excellence in Local Composing:
Lauren Wilder – The Mechanics of Love (SiS Productions)
And the complete press release:
And the Nominees are….
Seattle Theater Writers Announces the
Sixth Annual
Nominations of the 2016
Gypsy Rose Lee Awards
Seattle, WA – January 20, 2017
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
Well known large companies such as Seattle Repertory Theatre with 6 nominations and ACT Theatre with 15 nominations and Seattle Shakespeare Company with 8 nominations contrast favorably with small companies such as Sound Theatre Company with 14 nominations, ArtsWest with 14 nominations and Theatre22 with 13 nominations. Musical theater companies The 5th Avenue Theatre and Village Theatre inevitably share 15 and 12 nominations a piece as the top musical providers in our area.
Seattle Theater Writers, Seattle’s only critics’ circle, presents the 6th annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters. Our aim in developing the awards is to entice the general public to consider seeing excellent theatrical events at myriad venues they may never have entered before!
Miryam Gordon, head writer-wrangler, says, “We know that human nature seems to love awards and we hope to draw more people to pay attention to (and perhaps even attend) an art form that we love. We also feel that a blended opinion, especially from people who often do not agree, is perhaps a more powerful opinion. If we agree on excellence, we think it means more than any one opinion alone.
“The winners represent coming to a consensus, which can be quite a challenge. It’s not easy to bring people with very different opinions to agreement. We all take these selections quite seriously. Invariably, we each champion different people or productions and sometimes there is vigorous debate before we settle on our slate.”
The winners will be announced January 27, 2017.
“2016 was a challenging year, from powerhouse co-productions to the proliferation of tiny companies with mighty visions that continue to populate our cultural landscape,” says Gordon. “Our nominations are an enormous acknowledgement of the vibrancy of our theatrical community.”
Media Contact:
Miryam Gordon
Seattle Theater Writers
And without further ado, arranged in 33 (one more than last year) categories in two divisions (Large Theaters and Small Theaters) –
The 2016 Gypsy Rose Lee Award Nominees are (by category, in alpha order by name):
Excellence in Production of a Play:
(Large Theaters):
| 9 Circles – Strawberry Theatre Workshop |
| A Raisin in the Sun – Seattle Repertory Theatre |
| The Royale – ACT Theatre |
| The Winter’s Tale – Seattle Shakespeare Company |
| Wedding Band – Intiman Theatre |
(Small Theaters):
| A Hand of Talons – Pork Filled Productions |
| Caught – Seattle Public Theatre |
| Death of a Salesman – ArtsWest |
| The Last Days of Judas Iscariot – Sound Theatre Company |
| The Pride – Theatre22 |
Excellence in Production of a Musical:
| Billy Elliot – Village Theatre |
| How To Succeed In Business Without Really Trying – The 5th Avenue Theatre |
| Disney’s The Little Mermaid – The 5th Avemie Theatre |
| Parade – Sound Theatre Company |
| Violet – ArtsWest |
Excellence in Direction of a Play:
(Large Theaters):
| Greg Carter – 9 Circles (Strawberry Theatre Workshop) |
| Desdemona Chiang – A Tale For The Time Being (Book-It Repertory Theatre) |
| Valerie Curtis-Newton – Wedding Band (Intiman Theatre) |
| Ameenah Kaplan – The Royale (ACT Theatre) |
| Victor Pappas – Mrs Warren’s Profession (Seattle Shakespeare Company) |
(Small Theaters):
| Julie Beckman – Annapurna (Theatre22) |
| Valerie Curtis-Newton – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro) |
| Julia Griffin – In Arabia, We’d All Be Kings (Theater Schmeater) |
| Corey McDaniel – The Pride (Theatre22) |
| Mathew Wright – Death of a Salesman (ArtsWest) |
Excellence in Direction of a Musical:
| Bill Berry – How To Succeed in Business Without Really Trying(The 5th Avenue Theatre) |
| Andrew Russell – Violet (ArtsWest) |
| Steve Tomkins – Billy Elliot (Village Theatre) |
| Troy Wageman – Parade (Sound Theatre Company) |
| Schele Williams – My Heart is the Drum (Village Theatre) |
Excellence in Performance in a Play as a Lead Actor (Male):
(Large Theaters):
| Gavin Hoffman – The Brothers K (Book-It Repertory Theatre) |
| Conner Neddersen – 9 Circles (Strawberry Theatre Workshop) |
| Alex Silva – Treasure Island (Book-It Repertory Theatre) |
| Jarrod M. Smith – The Royale (ACT Theatre) |
| Adam Standley – Stupid Fucking Bird (ACT Theatre) |
(Small Theaters):
| Erwin Galan – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro) |
| Trevor Marston – The Pride (Theatre22) |
| David Pichette – Death of a Salesman (ArtsWest) |
| David Roby – One Man, Two Guv’nors (Sound Theatre Company) |
| John Q. Smith – Annapurna (Theatre22) |
Excellence in Performance in a Musical as a Lead Actor (Male):
| Eric Ankrim – How To Succeed in Business Without Really Trying(The 5th Avenue Theatre) |
| Nathan Brockett – Assassins (ACT Theatre/The 5th Avenue Theatre) |
| Matthew Kacergis – Disney’s The Little Mermaid (The 5th Avenue Theatre) |
| Jeff Orton – Parade (Sound Theatre Co.) |
| Jesse Smith – Violet (ArtsWest) |
Excellence in Performance in a Play as a Lead Actor (Female):
(Large Theaters):
| Denise Burse – brownsville, b-side for tray (Seattle Repertory Theatre) |
| Mi Kang – A Tale For The TIme Being (Book-It Repertory Theatre) |
| Pamela Reed – Luna Gale (Seattle Repertory Theatre) |
| Alexandra Tavares – The Brothers K (Book-It Repertory Theatre) |
| Dedra Woods – Wedding Band (Intiman Theatre) |
(Small Theaters):
| Suzanne Bouchard – Ghosts (ArtsWest) |
| Angela DiMarco – The Pride (Theatre22) |
| Stephanie Kim-Bryan – A Hand of Talons (Pork Filled Productions) |
| Teri Lazzara – Annapurna (Theatre 22) |
| Eleanor Moseley – Death of a Salesman (ArtsWest) |
Excellence in Performance in a Musical as a Lead Actor (Female):
| Kate Morgan Chadwick – Bad Apples (ACT Theatre/Circle X Theatre/ArtsWest) |
| Diana Huey – Disney’s The Little Mermaid (The 5th Avenue Theatre) |
| Claudine Mboligikpelani Nako – My Heart is the Drum(Village Theatre) |
| Tori Spero – Parade (Sound Theatre Company) |
| Brenna Wagner – Violet (ArtsWest) |
Excellence in Performance of a Play as a Supporting Actor (Male) – any non-lead:
(Large Theaters):
| Sam Hagen – 9 Circles (Strawberry Theatre Workshop) |
| William Hall Jr. – Sorry (Thalia’s Umbrella) |
| MJ Sieber – The Winter’s Tale (Seattle Shakespeare Company) |
| G. Valmont Thomas – Stick Fly (Intiman Theatre) |
| R. Hamilton Wright – The Royale (ACT Theatre) |
(Small Theaters):
| Moises Castro – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro) |
| Nik Doner – In Arabia, We’d All Be Kings (Theater Schmeater) |
| Doug Fahl – The Pride (Theatre22) |
| Erwin Galán – The Last Days of Judas Iscariot (Sound Theatre Company) |
| Ray Tagavilla – The Last Days of Judas Iscariot (Sound Theatre Company) |
Excellence in Performance of a Musical as a Supporting Actor (Male):
| Greg McCormick Allen – Singing in the Rain (Village Theatre) |
| Justin Gregory Lopez – Paint Your Wagon (The 5th Avenue Theatre) |
| Casey Raiha – Violet (ArtsWest) |
| Adam Standley – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre) |
| Dane Stokinger – Disney’s The Little Mermaid (The 5th Avenue Theatre) |
Excellence in Performance of a Play as a Supporting Actor (Female):
(Large Theaters):
| Anne Allgood – Wedding Band (Intiman Theatre) |
| Molli Corcoran – Joyful Noise (Taproot Theatre) |
| Tracy Michelle Hughes – Wedding Band (Intiman Theatre) |
| Claudine Mboligikpelani Nako – A Raisin in the Sun(Seattle Repertory Theatre) |
| Amy Thone – The Winter’s Tale (Seattle Shakespeare Company) |
(Small Theaters):
|
Excellence in Performance of a Musical as a Supporting Actor (Female) – any non-lead:
| Delaney Guyer – Parade (Sound Theatre Company) |
| Mari Nelson – Billy Elliot (Village Theatre) |
| Sara Porkalob – Pump Boys and Dinettes (Village Theatre) |
| Jessica Skerritt – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre) |
| Jessica Skerritt – Singing in the Rain (Village Theatre) |
Excellence in Performance as an Ensemble:
(Large Theaters):
9 Circles – Strawberry Theatre Workshop (Norah Elges, Sam Hagen, Sylvester F. Kamara, Conner Neddersen)
A Tale For The Time Being – Book-It Repertory Theatre (Khanh Doan, Mi Kang, Mariko Kita, Scott Koh, Kevin Lin, Michael Patten, Rachel Rene, Annie Yim)
The Royale – ACT Theatre (Lorenzo Roberts, Jarrod M. Smith, Zenobia Taylor, G. Valmont Thomas, R. Hamilton Wright)
Sorry – Thalia’s Umbrella (Macall Gordon, William Hall, Jr., Leslie Law, Terry Edward Moore, Jeanne Paulsen)
The Big Meal – New Century Theatre Company (Jonelle Jordan, Darragh Kennan, Maire Kennan, Todd Jefferson Moore, Hannah Mootz, Julian Mudge-Burns, Conner Neddersen, Betsy Schwartz, Amy Thone)
(Small Theaters):
Duels – stokes/amador (Daniel Christensen, Marianna de Fazio, Carter Rodriquez)
In Arabia, We’d All Be Kings – Theater Schmeater (Draeko Damen, Nik Doner, Brandon Felker, Elena Flory-Barnes, Samuel Hagen, Drew Hobson, Jacquelyn Miedema, Michael Ramquist, Andrew Shanks, Yolanda Suarez, Ayo Tushinde)
Puny Humans – Annex Theatre (Patty Bonnell, Kevin Bordi, Grace Carmack, Rachel Guyer-Mafune, Lauryn Hochberg, Cole Hornaday, Kelly Johnson, Ben McFadden, Nic Morden, Heather Persinger, David Rollison, Zenaida Smith, Te Yelland)
The Pride – Theatre22 (Angela DiMarco, Doug Fahl, Trevor Marston, Andre Nelson)
The Toxic Avenger – STAGEright (Ann Cornelius, Sara Henley-Hicks, Brian Lange, Jessi Little, Nick Michael Watson)
Excellence in Set Design:
(Large Theaters):
| Michael Ganio – Luna Gale (Seattle Repertory Theatre) |
| Shawn Ketchum Johnson – Daisy (ACT Theatre) |
| Tommer Peterson – The Birds (Strawberry Theatre Workshop) |
| Matthew Smucker – Brooklyn Bridge (Seattle Children’s Theatre) |
| Tom Sturge & David Sumner – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre) |
(Small Theaters):
| Brandon Estrella – A Hand of Talons (Pork Filled Productions) |
| Silas James – Duels (amador/stokes) |
| Robin Macartney – Revolt. She Said. Revolt Again. (Washington Ensemble Theatre) |
| Michael Mowery – Annapurna (Theatre22) |
| Julia Welch – The Things Are Against Us (Washington Ensemble Theatre) |
Excellence in Costume Design:
(Large Theaters):
| Nanette Acosta – Joyful Noise (Taproot Theatre) |
| Melanie Taylor Burgess – A Raisin in the Sun (Seattle Repertory Theatre) |
| Sarah Burch Gordon – The Trial of Ebenzer Scrooge (Taproot Theatre) |
| Catherine Hunt – Dangerous Liaisons (ACT Theatre) |
| Rose Pederson – How to Succeed in Business Without Really Trying (5th Avenue) |
(Small Theaters):
| Chelsea Cook – Amadeus (Seattle Public Theater) |
| Jocelyne Fowler – A Hand of Talons (Pork Filled Productions) |
| Carolyn Hall – The Wedding Gift (Forward Flux Productions) |
| Helen Roundhill – The Toxic Avenger (STAGEright) |
| K.D. Schill – Puny Humans (Annex Theatre) |
Excellence in Lighting Design:
(Large Theaters):
| Robert Aguilar – Wedding Band (Intiman Theatre) |
| Alex Berry – Billy Elliot (Village Theatre) |
| Reed Nakayama – The Birds (Strawberry Theatre Workshop) |
| Tristan Roberson – A Tale for the Time Being (Book-It Repertory Theatre) |
| Ben Zamora – The Royale (ACT Theatre) |
(Small Theaters):
| Ahren Buhmann – The Pride (Theatre22) |
| Ryan Dunn – Death of a Salesman (ArtsWest) |
| Tess Malone – A Hand of Talons (Pork Filled Productions) |
| Alyssa Milione – Ghosts (ArtsWest) |
| Tristan Roberson – The Things Are Against Us (Washington Ensemble Theatre) |
Excellence in Sound Design:
(Large Theaters):
| Brendan Patrick Hogan – The Birds (Strawberry Theatre Workshop) |
| Sharath Patel – The Royale (ACT Theatre) |
| Kyle Thompson – Treasure Island (Book-It Repertory Theatre) |
| Nathan Wade – Titus Andronicus (Seattle Shakespeare Company) |
| Robertson Witmer – Daisy (ACT Theatre) |
(Small Theaters):
| Erin Bednarz – The Lost Girls (Annex Theatre) |
| Brian Brooks – King Kirby (Ghost Light Theatricals) |
| Erick Johnson – The Pride (Theatre22) |
| Alex Potter – Puny Humans (Annex Theatre) |
| James Schreck – The Things Are Against Us (Washington Ensemble Theatre) |
Excellence in Musical Direction:
| Dan Pardo – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre) |
| Brandon Peck – The Toxic Avenger (STAGEright) |
| Tim Symons – Billy Elliot (Village Theatre) |
| R.J. Tancioco – Violet (ArtsWest) |
| Nathan Young – Parade (Sound Theatre Company) |
Excellence in Choreography or Movement:
| Scott Brateng –Parade (Sound Theatre Company) |
| Donald Byrd – Medea (Seattle Shakespeare Company) |
| Sonia Dawkins – My Heart is the Drum (Village Theatre) |
| Bob Richard – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre) |
| Katy Tabb – Billy Elliot (Village Theatre) |
Excellence in Local Playwriting:
| Rose Cano – Bernie’s Apt. (eSe Teatro) |
| Laura Ferri – A Tale for the Time Being (Book-It Repertory Theatre) |
| Maggie Lee – A Hand of Talons (Pork Filled Productions) |
| Nick Stokes – Duels (amador/stokes) |
| Seayoung Yim – Do It For Umma (Annex Theatre) |
Excellence in Local Composing:
| Shenandoah Davis – Medea (Seattle Shakespeare Company) |
| Paul Lewis – The Pride (Theatre22) |
| Paul Lewis, Carrisa Meisner Smit – The Crossing(Theater Schmeater) |
| Lauren Wilder – The Mechanics of Love (SiS Productions) |
| Annastasia Workman – To Savor Tomorrow (Café Nordo) |
Excellence in Video Design (New Category for 2016):
| Tristan Roberson – Daisy (ACT Theatre) |
| MJ Sieber – Titus Andronicus (Seattle Shakespeare Company) |
About Seattle Theater Writers:
Founded in 2010 by Miryam Gordon and comprised of local writers and reviewers, Seattle Theater Writers is a group of critic/reviewers dedicated to raising public awareness of theater practitioners and the work produced by professional theater organizations. Seattle Theater Writers’ hope is that these awards might encourage theater attendance and enjoyment of our rich cultural offerings. Born from this mission are the annual Gypsy Rose Lee Awards, recognizing excellence in Seattle theater across 33 categories.
The participants in this year’s award process were Candace Brown (goodlifenw.blogspot.com), Miryam Gordon (Seattle Gay News and miryamstheatermusings.blogspot.com), David-Edward Hughes (www.talkinbroadway.com/page/regional/seattle/se727.html), Rosemary Jones (www.seattletheateranddance.com/), Dusty Somers (guest writer for Seattle Times), Michael Strangeways (www.seattlegayscene.com/), and Nancy Worssam (artsstage-seattlerage.com/).
For more information, go to www.facebook.com/SeattleTheaterWriters. The Notes section of the Facebook page shows the evolution of the awards.
###
I would like to note that Rachel Guyer-Mafune, nominated in the category of Excellence in Performance of a Play as a Supporting Actor (Female): – Puny Humans (Annex Theatre), is of Japanese American descent. Correcting this would be much appreciated.
Done!